Well...I think we can rest assured that MGS5 will maintain the attention to detail, authenticity and gritty realism the series has always been known for.
Konami has released a teaser trailer for what looks to be a very exciting new chapter in their long-running survival-horror series, Silent Hill
. The original game debuted on the first PlayStation in 1999 and was instantly recognized as the single most frightening video game ever made, but more recent sequels and spin-offs have begun to lose a bit of their edge. But this game looks quite intriguing both for the promise of what sort of scares can be achieved with the new generation of gaming hardware, and also for some very big names attached to it: legendary producer Hideo Kojima, of Metal Gear
fame; director Guillermo del Toro, best known for the Hellboy
films, Pan's Labyrinth
, Pacific Rim
, and the new TV series The Strain
; and The Walking Dead
's Norman Reedus, AKA Daryl Dixon. object
Konami certainly does know how to tease, don't they?
is a few days old but it still deserves notice.
Aaryn Flynn, BioWare Studio General Manager wrote:
After nearly 16 years of game development at BioWare, Executive Producer Casey Hudson has made the decision to move on from BioWare and enter a new stage of his career. We thank Casey for his hard work and dedication as we look back on his time with BioWare.
Starting as a Technical Artist on Neverwinter Nights and MDK2, Casey moved into the Project Director role with 2003’s Game of the Year Star Wars: Knights of the Old Republic. He then led the team in the development of the Mass Effect trilogy, an award-winning series that I and many others consider to be one of the most important science-fiction universes of our generation. Casey’s focus on production quality, digital acting technology, and emotionally engaging narrative has made a substantial impact on BioWare and the video game industry as a whole.
Casey shared his thoughts with his colleagues in a letter earlier today:
“After what already feels like a lifetime of extraordinary experiences, I have decided to hit the reset button and move on from BioWare. I’ll take a much needed break, get perspective on what I really want to do with the next phase of my life, and eventually, take on a new set of challenges.
Though there’s never an easy time to make a change like this, I believe this is the best time for it. The foundation of our new IP in Edmonton is complete, and the team is ready to move forward into pre-production on a title that I think will redefine interactive entertainment. Development for the next Mass Effect game is well underway, with stunning assets and playable builds that prove the team is ready to deliver the best Mass Effect experience to date. And the Dragon Age: Inquisition team is putting the final touches on a truly ambitious title with some of the most beautiful visuals I’ve seen in a game.
But while I feel that the time has come, this is without a doubt the most difficult decision of my career. BioWare is as magical a place today as it was when I started. The projects we are working on are some of the most exciting and prestigious in the world. The talent in our teams is second to none. And the people here are some of my closest friends. I’ve spent more time with many of you than my own family, and I have enjoyed every day of it.”
Casey also had a message of appreciation for BioWare fans:
“Long before I worked in games, I was fascinated by their ability to transport me to places where amazing and memorable experiences awaited. When I made my very first asset that I knew would actually make it into a game (the laser bolt in MDK2!) I couldn’t believe how fortunate I was to contribute in some small way to the process of creating interactive entertainment.
Now, having led the development of four major titles, I’m profoundly appreciative of the role I’ve been able to play in creating these games. The very idea that so many of you have enjoyed spending time in the worlds we’ve created is the defining achievement of my career, and it’s your support over the years that made it all possible.
I know that I leave our projects in great hands, and I join you in looking forward to playing them.”
As we say a fond farewell, I know I speak on behalf of the entire studio when I say that we will be forever grateful for Casey’s hard work, passion, and everything he has taught us over the years – a methodical dedication to quality, a spirit of teamwork and camaraderie, and putting fans above everything else. But most of all, Casey has challenged every one of us in the studio to be better tomorrow than we were today. It is in that spirit that as we finish Dragon Age: Inquisition, we will continue working on the next Mass Effect game and our new IP project, confident in our goals and progress.
Thank you Casey. This is not an ending, but a new beginning.
A few days ago, Loki and I were discussing personal writing styles and their accompanying philosophies. It's been on my mind ever since, and I think it would be a discussion worth continuing here.
For obvious reasons, I'm going to be speaking from the perspective of my own chosen style and my reasons for choosing it, and citing some supporting examples from my own published stories. This is not to be misconstrued as me saying "my way is the best way and everyone should write this way"; I am not that conceited. (No, honestly...I'm really not. )
Rather, this is me attempting to explain what I've found to work best for me
, and why. And others are definitely encouraged to do the same!
Personally, I've come to deliberately favor a "less is more" approach to descriptive writing. There are several reasons for this, but the one I want to focus on initially is that it is not
because I see myself as writing for children, or a young/immature audience. It's the exact opposite. I write with the intention, or at least the hope, that my work is going to be read by active thinkers. I assume that my audience is intelligent enough to be able to "read between the lines", in places, without having to be constantly led by the nose. This doesn't mean minimalism for its own sake, to the point of descriptive laziness, or to try and hide the fact that I really don't know what the hell I'm doing by pretending to leave key elements open to broad interpretation; it simply means I don't feel that spelling out every possible detail is necessarily the wisest or most effective course, where it can be avoided. I also think a reader's imagination can often fill in certain details better than I might be able to describe them. And particularly when dealing with truly dark, disturbing and horrific topics, I think this approach can be especially effective because in horror and suspense, it's usually the things you don't
see that are the most frightening, for this very reason.
When I was younger, I felt somewhat obligated to flesh out every scene, and every potential
scene, as much as I could, believing that every written moment held its own undiscovered opportunities, and that scenes I might personally view as "filler" could possibly be found to be enjoyable by others. I now strongly reject that approach, having found that it breeds mediocrity and disinterest. Now, when writing, I try to remember to constantly ask myself, How does this further the story, as a whole? Does this really add something worthwhile, or does it detract? Is it really necessary to include this, in order to tell the story I'm trying to tell?
I'm not advocating self-censorship, necessarily, but sometimes things can have unintended consequences, and weighing the pros and cons can be a good idea. Or at the very least, it can't hurt.
I came to a realization some time ago that I've never used any profanity in any of my Titans fics
. This was not because I sat down in advance and said to myself, "Okay, this series has a much broader audience than anything else I've ever touched, so I'd better be careful" (like I said, it's something I've noticed in hindsight
). The reason is, very simply, that I've never felt it was necessary
at any point in any of my fics. Maybe that will change at some point, but so far, it hasn't.
At the same time, I've never thought of myself as writing for anything other than a mature audience. My very first Titans story, Snow
, is still, at its core, one of the darkest things I've ever written. While it did not go into explicit detail, it nevertheless dealt pretty directly with the torture and sexual abuse of young children. And needless to say, that was probably one of the first stories where I really had to consciously think about how much detail would be enough to get the point across, versus how much would be crossing the line into cheap sensationalism.
In a related example, one early draft of Chapter 17 would have had Snow mockingly dismiss each of the Titans in turn, and using a racial epithet in reference to Cyborg. I ultimately decided against that for two reasons. First, you can't always predict how that sort of thing might be misconstrued. And second, and more importantly, it wasn't necessary
. It wouldn't have added anything in terms of fleshing out Snow's character; by that point in the story, the reader was going to have a pretty clear idea of exactly how evil he really was without him tossing around racist insults, to boot. So that was an example of something I decided would have potentially detracted much more from the story than it might have added to it.
The deliberate omission of specific descriptive details can also serve other purposes in different genres. For example, Slash
, which has ended up being one of my most popular fics for some reason. The entire thing revolved around Starfire's "computer drapery", which was never described in the story's text, but which was inferred to have been a depiction of a homosexual kiss between Robin and Kid Flash. It became obvious at least halfway through the story that that was what it was, but I think actually spelling it out would have ruined the joke; part of the fun was figuring out just what was causing Robin to flip out to the degree that he was. So in a sense, the "punchline" was something that was never actually stated.
Switching topics a bit, I'm aware that I do have some definite limitations as a writer, and that they're largely self-imposed. I don't do romance, at least not in the traditional, fluffy sense. There are a variety of reasons which all ultimately boil down to that I've never been able to figure out how to approach it in a way that feels genuine
, or at least not "false", to me. If that makes any sense. I'm aware that it's a weakness and something I should probably push myself to overcome in order to grow as a writer, yadda yadda, etc. But it's just not something that interests me, to put it bluntly.
On a similar note -- and those who are familiar with my work have probably already noticed this -- I also have something of an aversion to "purely" happy endings. I just think they're boring. My favorite kind of ending is one that leaves you deep in thought, so both on a conscious and unconscious level, I guess I try to aspire to that.
Anyway, I guess I'll let someone else take it up from here.
So I wake up today to hear Robin Williams is dead. Killed himself, apparently, after years spent battling crippling depression.
I loved the guy. Genie, I'll miss you.
I'm looking for some input and advice on some power management and minor overclock settings in one of my motherboard utilities as it relates to my current PC hardware
There is a utility in the "ASUS Suite" of software that came with my motherboard
called DIGI+ Power control for adjusting the PC's power management. Though I'm aware that my current setup would probably be very favorable for it, I've never felt daring enough to attempt anything in the way of overclocking. Looking at some of these settings, however, I have to confess I'm curious about them, though still extremely wary of potentially damaging my system. So I'm looking for advice from people more knowledgeable than myself on such matters.
Basically my question boils down to this. Would I see any improvement in performance if I were to set the CPU power phase control (pictured here
) to "optimized" or even "extreme", and set the DRAM power phase control (pictured here
) to "extreme", for normal usage, and would it be safe for my hardware to do so?
Some relevant details about my hardware: according to the PSU calculator on ASUS's website
(which is a very handy thing!), all my hardware components have a combined draw of about 700 watts. I have a 1300w PSU. Under normal conditions my CPU runs temperatures from the mid-20s to the high 30s (Centigrade), the motherboard itself sits around the mid-30s, the VCORE runs in the mid-20s and the DRAM is low 30s.
None of this is to say that I have any complaints about my PC's performance as it currently stands...I'm just wondering if I'm using the most "optimal" settings for my build, you know? Anyway, any input would be appreciated.
So, I'm getting ready to replace my C drive with a SSD. I have zero experience with these things. Is there anything I should know before I dive in?
Once again, it's that time of year! When I try to come up with some clever way to phrase "You can have a happy July 4th even if you aren't a resident of a country where that's Independence Day".
It sounds very Jurassic Park, but bringing back an extinct species
could be possible in the near future. New Zealand's largest ever bird, the Moa
, which towered above even the ostrich, could make a comeback.
Time to bring back... the moa
Trevor Mallard continues to push his idea that moa may one day roam in Wainuiomata, despite his leader saying the "moa is not a goer".
Labour's Hutt South MP presented the idea to 30 or so businesspeople at a development breakfast in the Lower Hutt suburb Wainuiomata.
While admitting it sounded "a bit Jurassic Park", Mallard said scientists had been making progress on techniques for using recovered DNA from extinct animals to reconstruct new life. Moa could return to the bush of Rimutaka Forest Park, he said.
"It would certainly give us international focus and, frankly, I can't think of a better place. Those valleys [behind Wainuiomata] are accessible without helicopter, with a one-hour walk."
Mallard said his speech at the breakfast meeting included why he loved the suburb and a long term look to the future.
He was aware that he had opened himself to "bird jokes and extinction jokes" but people once laughed at those who said the kiwi would return to Wainuiomata.
Asked about leader David Cunliffe's comment that "the moa is not a goer", Mallard said: 'The Moa will be a goer but we are talking 50 to 100 years out."
"Of course it's not official Labour Party policy".
He was not concerned about support from caucus colleagues on the issue.
Mallard insisted he was "absolutely serious" that New Zealand should be taking advantage of science as it develops.
"I only want the small moa in Wainuiomata. I don't want those that are 240kg and 3.5 metres tall. I'd like ones that I could pat on the head."
Lower Hutt Mayor Ray Wallace said the discussion was worth having.
"I think it will capture people's imaginations. And after all, 20 years ago if we'd said kiwis would be back in Rimutaka Forest Park, people would have laughed at us."
I say it is feasible because the Moa was rendered extinct relatively recently, in the last few hundred years. The cut-off point for any DNA retrieval tends to be around 10,000 years from the best preserved remains, of which we have a lot of - some are even mummified. And we have some of the world's strictest biosecurity protocols, predator control programmes and conservation techniques that have influenced how the rest of the world's countries manage their own unique species.
But of course there's the counterargument from Jurassic Park. Just because we could
doesn't mean we should
. New Zealand's original ecosystem, which supported the original Moa, has been all but totally destroyed by colonisation and the introduction of invasive species, the severe consequences of which we are still having to deal with. Less than 10% of New Zealand's original forest cover still stands. Would a revived Moa species be able to survive in the modern world? And the ethical dilemma over genetic engineering is still strong here as well. Would we really be bringing back the original Moa, or an engineered clone? How would their behaviour develop without a pre-existing population (of which we know precious little about) to learn from? Would we be contaminating the rest of our surviving ecosystem with genetically modified organic matter?
by Loki Kola
June 11, 2014
Well, it looks like Bungie's got the magic back.
There's the most recent gameplay we've got. Both videos courtesy of E3 2014.
HAHAHAHA MS JUST TAKE MY MONEY YOU LIKE IT THAT WAY DON'T YOU BABE
1080p, 60 FPS
Full Halo 2 Multiplayer intact
Separate Multiplayer for all 4 games
Over 100 maps running on original engines
All levels and game modes unlocked from the start
Custom playlists that allow you to combine experiences from all 4 games
Access to Halo 5 Multiplayer Beta Included
Digital Series 'Nightfall' also included
EDIT: FOR SHEER FUCKING AWESOME object
WHAT'S THAT AT 1:26 YOU ASK? WHY I DO BELIEVE IT'S THE MOTHERFUCKING ARBITER IN HALO 5.
EDIT 2: SOMEONE UPLOADED COMPARISONS TO REDDITLink for brilliance
Spoiler: Sergeant Avery Junior Johnson and motherfuckin' Thel 'Vadam
Pretty sure 343i are just rendering different movies instead of using the in-game assets but still, holy shit.
So. This past weekend, President Obama -- ever the spontaneous free spirit -- decided to unilaterally, and illegally
, trade five extremely high-ranking Taliban leaders
for one U.S. soldier who, by many accounts, deserted his unit
and has spent the past five years enjoying the hospitality of, and filming propaganda videos for the Haqqani network
, who rather uncharacteristically refrained from drawing, quartering and beheading him. The five Taliban leaders have since been delivered to a hero's welcome
Even for an administration which has defined itself by a staggering combination of blind ideology, rampant corruption, blatant dishonesty and stunning incompetence, this is by far their most serious transgression to date. This move legitimizes terrorism generally, and the Taliban specifically, to an extent that no American president ever has before. It sends a signal that we will recognize, deal with and reward those who take our people hostage, thereby encouraging them to do it much, much
more. It is frightening to even consider the degree to which this action has endangered all Americans, both military and civilian, abroad.
Barack Obama likes to complain, incessantly and more than five years into his own presidency, about the problems he inherited from his predecessor (nearly all of which, he's exacerbated). We are, all of us, going to be dealing with HIS messes for the rest of this century, if not longer.
I also can't help but notice that most of the Obama cheerleaders I know have been curiously silent about this particular topic. Maybe I should give them credit for not trying to defend the indefensible?
So, the new Halo game runs on a new engine, on Xbox One (of course), and is coming 2015. There are two Spartans featured on the cover: John 117 and another Spartan wearing the newer MJOLNIR Mark 7 armour. No idea whether this guy is a protagonist looking for the now-missing Master Chief, an antagonist, or what. Also, at this point, the Arbiter and Admiral Hood are attempting to come to peace with the Brutes who aren't batshit insane and obsessed with the idea of the Great Journey. This is somewhat foiled by the covert actions of insurrectionists, maybe ONI personal so high above our clearance we'll never understand their motives, and also Elites who aren't happy with the idea of brute allies/throwing aside the old Covenant.
Anyway, here's the cover art: